With a preference for abstraction, I use a self-taught technique of dried oil on old, yellowed paper (the back of old cards) to create works that express human emotions, fears and dreams, as well as my experiences as a homosexual migrant growing up in poverty in an intolerant environment. The goal is a constant improvement in technique as well as clearer imagery and more refined compositions. 

Growing up bilingual with a painter and visual artist for a mother, going to school in Prague, homosexual, Asperger's autistic and a permanent "foreigner", always perceiving society from the perspective of a stranger, a third party. My search for beauty in the world gave rise to my love of simple, highly reduced compositions. 

My mother trained me in automatic drawing and painting as a child and I took classes in painting. Influenced by my mother's spontaneous symbolism, I learned to paint freehand. 

Inspired by the timeless symbolism of Egyptian hieroglyphics and Japanese caligraphy, I use the leitmotif of surreal, dysfunctional armchairs the armchair mania or - Sesselwahn in German - to communicate emotions and queer experiences in automatic painting